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Statement

I began exploring colour and emotion through painting after I experienced the powerful impact of Mark Rothko’s ‘Seagram Mural’ paintings in the Tate. I wanted to make work that created a similar response – I found that blue and red work best for me but it was very interesting that I had strong negative feelings toward yellow and green.

When I took up making art full time, I started my day’s work with a 20-minute walk as a way of clearing my mind. As my awareness of changes in the landscape grew, I made photographs of moments that were significant both emotionally and visually.

I enjoy the process of photography with its combination of technicalities and aesthetics, and for a time the two activities of painting and photography continued in parallel, but I was always aware of a tension between them that I could never satisfactorily resolve. In digital video I have found an ideal medium for exploring this tension.

I started making videos in 2006 during my MA. As a result of juxtaposing photographs with paintings, then cutting them up and sticking them onto the painting in strips of different widths, I ended up painting vertical strips of colour onto the paintings – reminiscent of Barnet Newman’s “zips”. When I displayed several pieces of this work together as a series I could see that they were like film stills so that when, co-incidentally, I was introduced to digital video it felt like a medium with enormous potential for me. It was very exciting to be able to combine abstraction with photographic images and include time and sound.

I work mainly intuitively, making up rules as I go along and then breaking them. I work from video footage of ordinary, everyday moments – sometimes planned in advance and sometimes not. The addition of vertical lines into the image makes it come alive for me. I add the lines in response to events in the picture – they emphasise the passage of time through their rhythms and the changing proportions. The layering of imagery using Chroma Key I find interesting because it enables me to combine movement in several directions at once. The soundtrack of the final piece is the ambient sound slowed, stretched and layered, and sometimes mixed with other recordings.
 
In my recent work, I’ve been exploring the many layers of perception of everyday moments and how they change from one state to another, and the way we create patterns and rhythms in our lives.

Some artists who are influential to me are: Malcolm Le Grice for his use of repetition and rhythms of sound and image, Bill Viola for his use of slowed down film, and Ergin Çavuşoğlu's studies of transience.

CV

Solo Exhibitions:

Nov/Dec 2007 Norwich Arts Centre  
June 2004 North Norfolk District Council
October 2003 Blickling Hall, Norfolk
February 1999 Angel Gallery, North Walsham, Norfolk
Selected Group Exhibitions:
Mar 2008    Bangkok Experimental Film Festival
Feb/Mar 2008 Atkinson Gallery, Millfield, Somerset
September 2007  Norwich Fringe
September 2007 MA Show NSAD
July 2007 Norwich Arts Centre, ”Shorts”
April 2007  Stroud House Gallery, Stroud
March 2007 Norwich Arts Centre “Shorts”
February 2007 Stroud House Gallery, Stroud
December 2006 Brick Lane Gallery, Peace Camp
October 2006 Norwich Fringe
September 2006 MA Show NSAD
September 2006 Elm Hill Street Market, Norwich
January 2006 Nova ‘Hot & Cold, Church St Gallery, Cromer & C21, Mundesley
September 2005  Throssel Hole Buddhist Abbey
June/July 2005 Super Nova, Blickling Hall
August/September 2004 The Lay of the Land, Salthouse Church
June/July 2004 Super Nova, Blickling Hall
August 2003 Colour Circle, Blickling Hall
July-September 2000 Arcade Gallery, Norwich
March-June 1999  Arcade Gallery, Norwich
June 1971 Final Show Liverpool Art School
August 1969 Liverpool Bluecoats – Multiples Exhibition
July/August 1968 Liverpool Academy summer Exhibition
Career:
September 2002 – present Self-employed Artist
September 2003 - 2006 Hon Treasurer, North Norfolk Exhibition Project
September1984-August 2002 Head of Art & Design, Paston College, North Walsham
September1976-August 1984 Head of Art, North Walsham Girls High School
September1972-August 1976  Assistant Art Teacher, North Walsham Girls High School
Art Education:
September 2005-2007 MA Fine Art, Part Time - Norwich School of Art and Design
September 1971-June 1972  Art Teacher’s Diploma - Bristol University
September 1968-June 1971  Dip A D Sculpture - Liverpool College of Art
September 1967-June 1968 Pre-Dip - Liverpool College of Art
     

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